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Silverchair ~ One Way Mule


Let my spirit ride on a one way mule
Blistered skin in a cold hearted pool
Distant emotion hides a concrete wall
Naked and anchored I'll climb right back
To you
Love me for my mind, coz I'm a dangerous heart
When I've got time to kill I'm coming back for you.
I'll stake out just to find
The knife in a dangerous heart
When I've got time to kill I'm coming back for you.
Distant memories in a cage by my bed
Viscid dreams stick to holes in my head
But a patient career of sleep in a Sunday dress
Rides my wake

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Global Music: Unbounded Sound Waves
Music is the only human language that does not require translation.
Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
The Power of the Scene
When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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