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AC/DC ~ Sin City


Diamonds and dust
(home at last) poor man last, rich man first
Lambourginis, caviar
Dry martinis, shangri-la
I got a burning feeling
Deep inside of me
It's yearning
But i'm going to set it free

Chorus:
I'm going in to sin city
I'm gonna win in sin city
Where the lights are bright
Do the town tonight
I'm gonna win in sin city

([i'm gonna | oh, let me] [rule | roll] you baby)
(snake eyes)

Ladders and snakes
Ladders give, snakes take
Rich man, poor man, beggarman, thief
Ain't got a hope in hell, that's my belief

Fingers freddy, diamond jim
They're getting ready, [better get ready,]
Look out i'm coming in ['coz i'm coming in]
So spin that wheel, cut that pack
And roll those loaded dice
Bring on the dancing girls
And put the champaign on ice

Chorus


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Global Music: Unbounded Sound Waves
Music is the only human language that does not require translation.
Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
The Power of the Scene
When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
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