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Bauhaus ~ Poison Pen


Sprawled face down on this swiss stained iron bed
In a dismal cheap hotel
With my one arm injured and the sweat-stained billowous murk
From my last cold-turkey attack

I tremble and shiver at the sound outside my door
Instrument of release by my side
The spike, the hose, the blackened spoon
The can or sterno red

I wait
And i wait
Spread-eagled
Half dead

Waiting for my man
(x8)

I wait for my fit, the footsteps fall
For the black man's stacatto knock knocking
I wait he doesn't show
I wait he doesn't show
I wait he doesn't show

Get this monkey off my back
Get this monkey off my back
Get this monkey off my back
Get this monkey off my back
Off my back
Off my back
Off my back


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Global Music: Unbounded Sound Waves
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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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