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Billie Holiday ~ Love Me Or Leave Me


Walter donaldson / gus kahn

This affair is killin' me
I can't stand uncertainly
Tell me now i've got to know
Whether you want me to stay or to go

Love me or leave me
Or let me be lonely
You won't believe me, i love you only
I'd rather be lonely
Then happy with someone else

You might find the night time
The right time for kissin'
But night time is my time
For just reminiscin'
Regrettin' instead of forgettin'
With somebody else

There'll be no one
Unless that someone is you
I intend to be independently blue
I want your love
But i don't want to borrow
To have it today to give it back tomorrow
For your love is my love
There's no love for nobody else


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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