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Bo Diddley ~ I'm Sorry


(ellas mcdaniel/harvey fuqua/alan freed) 1958

I'm sorry,
Oh, i'm sorry,
Oh baby, i'm sorry,
For the things i said to you.

You know i love you,
You know i care,
With you, my new heart i want to share,
Darling i need you,
With all your heart and soul,
To know that i want you, and i'll never let you go,
But forgive me,
Please forgive me,
Please forgive me,
For i knew not what i was sayin'.

Come on little baby,
Come on darling,
Give me another chance,
To make up on my wrong,
You know that i love you,
You know i'll put nobody else above you,
Come on, come on,
Say that you'll love me.

I'm sorry,
Oh yes i'm sorry,
Oh i'm sorry,
For the things i said t' you.


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Global Music: Unbounded Sound Waves
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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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