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Bonnie Tyler ~ Blame Me


(ronnie scott/steve wolfe)
Producers for bonnie: david mackay, ronnie scott, steve wolfe

If you're wondering why the feeling's changed between us
If i seem a little shaky when we kiss
Oh, it ain't what it seems, you did nothing to spoil my dreams
No, i'm the one who's let it all go wrong

Blame me, for i was helplessly in love
Just for a night i fell in love, i couldn't stop
Blame me, i was so lost inside his arms
Was so blind inside his arms, i couldn't see
Baby, i'm sorry

If you're wondering why i turned from you this morning
And i couldn't look directly in your eyes
Oh, it ain't what it seems, you did nothing to spoil my dreams
No, i'm the one who's let it all go wrong

Blame me, for i was helplessly in love
Just for a night i fell in love, i couldn't stop
Blame me, i was a stranger to myself
If it was only someone else instead of me
Baby, i'm sorry

Blame me, for i was helplessly in love
Just for a night i fell in love, i couldn't stop
Blame me, i was a stranger to myself
If it was only someone else instead of me
Blame me, i was so lost inside his arms
Was so blind inside his arms, i couldn't see


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Global Music: Unbounded Sound Waves
Music is the only human language that does not require translation.
Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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