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Duncan Dhu ~ Fantasmas


Los ves llegar
Son tres, en medio de la noche
No son, sí, sí son
Son los fantasmas del pasado
Y han vuelto para ver limpio su honor
El honor.

Perder, ganar, luchar
Sobre los muertos
Sentir, morir, vivir
En aquel tiempo
Y han vuelto para ver limpio su honor
El honor.

Esperan su ocasión
Cabalgan bajo el sol
Selkir vieja prisión
Los ves llegar
Son tres en medio de la noche
Lo son, son luchadores
Son los fantasmas del pasado
Y han vuelto para ver limpio su honor
El honor.

Esperan su ocasión
Cabalgan bajo el sol
Selkir viejo amor
Perder, ganar, luchar
Sobre los muertos
Sentir, morir, vivir
En aquel tiempo
Y han vuelto para ver limpio su honor
El honor.

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Global Music: Unbounded Sound Waves
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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
The Power of the Scene
When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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