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Chris Rea ~ You Must Be Evil


I come home from work
I see my little girl
She's crying on the floor
She's been watching that tv
This ain't late no, this ain't even dinner time
To show them things on that screen
What's wrong with you

You must be evil

Oh i know why you do it
You're just looking for sensation
You got a hold of something
You tell us that it's news
You don't have to show that stuff
Can't you show us some respect
You can tell us we don't need to see it
We don't need those cheap effects

You must be evil
You must be evil
I wish you were here

You don't have to show that stuff
You ain't fooling no-one
You made my little girl cry
I wish you were here
We all know why you do it
Sometimes you even slow it down
You're giving out some bad ideas here
I can't believe that you don't realise

You must be evil


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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